Story Power

Blogging the Lit Life

Author: Joe K

Lessons from Meursault and Janina

Throughout this year, the books we read challenged me to think about the way I am living my life. The two books that I enjoyed the most were Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk and The Stranger by Albert Camus. In addition to enjoying them, they had a lasting impact on how I view morality, justice, and the idea of meaning in life.

Janina, the main character of Drive Your Plow, was a character that I had almost no relation to. Her studies of astrology and passion for animal rights seemed strange and annoyed me. But as the story progressed, I began to see how deeply she cared about justice and her beliefs. Even when no one took her seriously, she stayed true. I am at a time in my life where people try to tell you what to believe. Her strong sense of right and wrong, especially when others judged her, was a characteristic that I admired. Even though I disagree with Janina on a lot of topics I would like to have the confidence that she has.

On the other hand, Meursault from The Stranger represented a very different characteristic. He doesn’t express emotions the way society expects him to, and from the outside perspective seems disconnected from the world.  As the story went on I started to think that he might be more observant and connected to the world than everyone else. His story got me to think about what really matters in the world. 

Janina and Meursault, to me, represent two ends of a spectrum. Janina cared about the world around her so much that she went to extreme lengths to protect her values. Meursault had pretty much no cares in the world. What I took away from these two characters is that somewhere on the spectrum of caring there is a happy medium. My final takeaway is this: “Stick to your principals, but don’t worry about what’s outside of your control.”

Satire in “Cookie Jar”

In his song “Cookie Jar”, Jack Johnson uses satire to comment on how people avoid accountability for their actions. Johnson tells the story of watching a newscast on TV after a shooting. He mocks interviews of various people involved in the incident. He repeats the phrase “You can’t blame me” as the shooter, parent of the shooter, cameraman, musician, and filmmaker all deny responsibility for the murder.

But I didn’t teach him to pull the trigger of the gun
It’s the killin’ on his TV screen,

These two lines are from the parent’s defense. The parents dodges responsibility by shifting the blame to the media, claiming that the killer learned to kill from TV. While the parents didn’t actually teach the kid to shoot the parents are responsible for his upbringing and behavior. The irony lies in blaming external factors while ignoring their own role in raising the child which highlights how weak the defense is.

It’s only entertainment as anyone can see

The musician and filmmaker claim that they are not to blame because their media is obviously just entertainment. They dismiss the impact that  media can have on people. This section brings in a new layer of satire. It points out the ethical considerations that sometimes get ignored in the pursuit of wealth or popularity.

Ultimately the song implies that society as a whole should feel responsible for everybody’s actions. Johnson points out how weak the arguments are to deny responsibility by mocking them. Instead of blaming others, Johnson feels that we should recognize our own roles in societal issues.

King Lear and Crazy Old Dads on TV

When I was first reading/watching Shakespeare’s “King Lear” I thought Lear was an interesting character. I wasn’t really sure whether to laugh or cry at the character. When I got to Act 2, Scene 4 (O, Reason not the need) Lear felt like a familiar character. I realized that King Lear has influenced old father figures in modern media. Two of my favorites are Arthur Spooner (King of Queens) and Martin Crane (Fraiser). I guess it’s not exactly a coincidence that I saw the connection considering those two shows air on Cozi Tv weeknights after I do my homework.

Martin Crane, played by John Mahoney, is father to Fasier (Kelsey Grammer) and Niles Crane. (David Hyde Pierce). Marty is an old school, down to earth, retired police detective. He generally has simpler tastes than his two sons who are both successful psychiatrists. For the duration of the show he lives with his son Frasier. Nearly every episode the two get into some sort of argument, big or small. Martin is almost always the first one to forgive. He also generally has a positive outlook on life. He doesn’t ask for much and mostly enjoys the time he has. Martin Crane is a very good comparison for King Lear in Act 5. They are both kind, forgiving, and content father figures.

On the other hand, Arthur Spooner is a good comparison to Lear in Acts 1 and 2. Arthur, who is played by Jerry Stiller, lives with his daughter Carrie (Leah Remini) and her husband Doug (Kevin James). Arthur’s most obvious personality trait is his temper. He can burst into a tirade at any moment, but the most common reason is that he didn’t get something he wanted. When I heard the “O Reason not the need” speech I instantly thought of Arthur. Arthur has many lofty demands from Doug and Carrie that are very often not met. Lear being denied his entourage of knights felt to me like a very “Arthur Spooner” moment. Arthur is also very unforgiving just as Lear is at the beginning of the play.

Jerry Stiller also plays the role of Frank Costanza on “Sienfeld” who is another iconic, angry, father. Based on his work with these two characters I think that Jerry Stiller would have made a pretty good King Lear. He would have been great in Lear’s angry, arrogant, and goofy moments.

“The Boxer” by Simon & Garfunkel

The song “The Boxer” by Simon & Garfunkel is one of the duo’s most popular songs. While half of the words in the song are either “lie” or “la” the real words that Simon uses are very powerful. Simon tells the story of a boy who leaves his family and tries to survive in the world by himself. The whole song (except for the last verse) is told in first person, so the listener must assume Simon is telling his own story. The song expresses the struggles of life including loneliness and poverty in a big city. The first stanza of the song introduces the story and gives a warning to the listener.

All lies and jestStill a man hears what he wants to hearAnd disregards the rest

These last lines of the stanza are a pretty subtle and ironic way of addressing the listener. Simon is saying that most likely the listener will not pay attention to or believe the cruelties of the world that he is going to discuss. I myself didn’t pick up that Simon was addressing the listener at first. Simon is pointing out how issues such as poverty get ignored in our society.

Simon continues the story of this poor boy as he struggles to find a job and feels lonely in the city. At the end of the story Simon says:

Where the New York City winters aren’t bleeding meLeading me, going home

Simon’s use of “bleeding” when describing the winters is an excellent example of multidimensional language. On one layer it is saying that the winter is so cold it is painful to the character. Bleeding also tells us that his life in the city is taking something out of him. The winters are draining him of his ambition and he just wants to go home. Simon also uses a personification when he says that the winters are “leading” him home.

In the last stanza of the song Simon uses a powerful metaphor to describe life:

In the clearing stands a boxer
And a fighter by his trade
And he carries the reminders
Of every glove that laid him down

Simon compares the way a person moves through life to a boxer. A boxer remembers all the hardships of life, but has to keep on moving or fighting. The last verse of the song is so powerful and almost motivating in a way. Simon is telling us that hardships happen, and you just have to keep moving through them.

“Mother” and “Beloved”

The song “Mother” by Pink Floyd, deals with several ideas that come up frequently in Toni Morrison’s “Beloved”. They both talk about overbearing mothers and generational trauma. At the beginning of the first verse of the song Roger Waters says:

“Mama’s gonna make all of your nightmares come true/Mama’s gonna put all of her fears into you”

The first line very directly correlates to “Beloved”. Denver expresses that every night she has a dream that her mother, Sethe, saws off her head. Denver is so scared of her mother’s love that she doesn’t even leave the house anymore. The second line discusses generational trauma, which is very prevalent in the novel. Even though Denver wasn’t born into slavery and never experienced it she still shares trauma with Sethe. Despite the trauma and fear that children might inherit from a mother, she never meant any harm. At the end of the verse, Waters says:

“Mama’s gonna keep baby cosy and warm”

After all the bad things that the baby inherits from a mother, all she wants to do is keep baby safe. Both the novel and the book discuss the dangers of a mother’s love.

The Stranger & the Seinfeld Finale

As I was reading the second half of The Stranger, the court case reminded me a lot of the final episode of Seinfeld. Meursault’s case in The Stranger was based heavily off his character, in fact there was barely any actual discussion of his crime. The prosecution brought in nearly every character Meursault introduced us to during the novel. They all gave testimonies that were mainly about his behaviors, habit, personality, and general disposition. The case resulted in Meursault being put to death.

Seinfeld‘s “The Finale” pays a direct homage to Camus in the way they finished the television show. In “The Finale” the four main characters, Jerry, George, Kramer, and Elaine, are caught making fun of a person being robbed at gun point. They are charged the newly instated “good Samaritan law” that allows bystanders to be prosecuted if they decide not to help a person in potential harm. They are taken to court, and just like Meursault, the prosecution brings lots of witnesses. Nearly every side character from all nine seasons of Seinfeld are brought to testify against them. Everyone tells their story and how the main characters have wronged them. The judge comes to the verdict that they are terrible people and gives them a year of prison.

I was always a fan of the way Seinfeld ended despite controversy from the fan base. As I watched it for the first time and as I re watched it I always enjoyed seeing characters I forgot about. It was definitely on a smaller scale in The Stranger, but I still enjoyed it in a similar way.

Camus and “The Sky”

As I read the first three chapters of The Stranger, I started marking down each time Camus described the Sky. I found that in the first 33 pages, Camus referred to the sky 21 times and the sun 10 times. At first I thought that it was repeated so much because of a translation thing, but once I started looking at the context it seemed very intentional.

Camus uses lots of colors to describe the Sky. In the first three chapters he describes the sky as “streaked with red,” “filled with light,” “blue and white,” “blue and gold,” “clear but dull,” “dark,” “reddish glow,” “changing,” “blue against the trees,” “green,” and a many others. Camus describes the sky in ways I didn’t even think it was possible. I didn’t think the sky could even be green or blue and gold.

The description of the sky has two effects that I’ve noticed. Firstly, he uses it to show time. Time moves at a very strange pace in Camus’ writing, so he uses the sky to help describe what time of day is it. He says that the sky got darker, or the sun came up to describe the time of day without explicitly saying it. I think he also just uses a description of the sky to set the mood of the scene or Meursault himself.

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