Story Power

Blogging the Lit Life

Author: Ruby S

Thirteen

Thirteen” by Bedouine, Waxahatchee, and Hurray for the Riff Raff is not an original song. It was originally released in 1974 by the rock band, Big Star, whose fame quickly declined after a lack of advertisement by their record label. The band’s legacy of poetic songwriting lives on through the many covers of their songs performed by contemporary artists. An instance of such covers is the one done by Bedouine, Waxahatchee, and Hurray for the Riff Raff on their 2020 single album entitled “Thirteen”. This modernized version of the song is composed as a trio of female voices which adds an extra layer of depth and maturity to the experience of the speaker/singer in the piece.

This song is a melodic snapshot that captures the emotional whirlwind of adolescence: that of discovering one’s place in different relationships during a time when everything seems to be changing. The lines of the third stanza reflect this theme:

Won’t you tell me what you’re thinking of?

Would you be an outlaw for my love?

If it’s so, well let me know

If it’s no, well I can go

I won’t make you, ooh ooh

 

In this stanza, the speaker, assumed to be an adolescent, is beginning to explore the ways in which a relationship can be deepened. The act of asking those personal questions presents the speakers as curious and sensitive, as opposed to aggressively going in and forcing their love upon somebody. Confronting the fact that desires aren’t always fulfilled is a universal experience, often occurring early in life, which allows people to enhance their emotional maturity and prepare them on the path towards acceptance of such disappointment. By including the use of tender diction, the speaker’s innocence and respect shines through.

The lyrics throw the listener into the position of the friend of the speaker through its being written in the second person perspective. Repeated in the first line of each stanza is, “Won’t you…”, which adds to the sense of yearning and setting the tone as the child-like questioning that comes with growing older. This also gets the listener to reflect upon their own lives and memories of being an adolescent.

The allusion to the song, “Paint It Black” by The Rolling Stones enhances the timeframe in which the song was written, as in the line,

             Rock and roll is here to stay

Those references to relevant eras and notable songs create a hint of defiance in the piece, as “rock and roll” was historically deemed to be music for rebels. Including this allusion makes it clear that the speaker wants to stray away from some of the expectations older generations have set and instead find excitement and joy in their own independent way, something very normal at this stage in development.



Us and Beloved

While reading Beloved, I couldn’t help but notice similarities between the novel and Jordan Peele’s horror film masterpiece, Us. Peele’s take on horror has been described as psychological, political, and comedic at just the right times. Also known for his directorial debut, Get Out, and his bizarre sci-fi escapade, Nope, Peele’s pieces of filmmaking demonstrate his incredible talent in making amazing stories come alive. 

Speaking of “coming alive,” the 2019 movie, Us, written and directed by Peele, symbolically delves into the complexities of relationships people have with themselves and others. The main character of the story, Adelaide, is just a girl when she encounters what she sees at first to be the mirror image of herself, before realizing that the reflection she sees is in fact her doppelgänger who is living in an underground, distorted version of Adelaide’s own life. As we learn more about the world the story takes place in, it becomes clear that the alternate Adelaide is full of jealousy and spite towards the girl living in the world above. There’s a big twist at the end of the movie, but I won’t give any spoilers. 

Where I noticed a connection to Toni Morrison’s Beloved and Peele’s Us is in the fact that both deal with issues of privilege, motherhood, and the presence of an ominous yet familiar figure who came from below the ground and wants to get revenge. In Us, the protagonist encounters her doppelgänger again as a wife and a mother of two. The doppelgänger proceeds to attack the family in an effort to take back what she once had, or what she longs to have again, in order to give her (also doppelgänger-ed) family the life she believes they deserve. This dynamic reminded me of that between Beloved and Sethe; in Beloved, the baby that Sethe killed comes back to life and completely disrupts the lives of her mother and sister as an act of vengeance for being murdered. Mothers also appear in both works and this role is what motivates both Adelaides to protect their children in any way possible. Privilege is the foundation of the entire conflict in the first place because the people who live aboveground are free to do what they please; they have access to sunlight and beaches and dance classes and vacations – whereas the people, the ‘Tethered,’ who live underground are forced to work under terrible conditions, only eat rabbits, and have no education. This discrepancy between the lives of the two groups mirrors, in my eyes, the experiences characters in Beloved share between their lives as enslaved people as as freed people, but also, and maybe more so, between White and Black people during the late 1800s.



A Bittersweet Romance

Exit West by Mohsin Hamid challenges many key points of life that have been discussed throughout history and which continue to be topics of discussion to this day. Themes involving love, gender, immigration, religion all appear throughout the journey of Saeed and Nadia. Hamid’s depiction of love was one of my favorites in the novel as I was fascinated by how it could be analyzed in so many different ways.

Saeed and Nadia’s love tells a universal tale of intimacy and friendship and protection where unforgettable memories are made and tender moments are shared. Hamid introduces the two main characters in the beginning of the story as curious lovebirds who are excited and entranced by the others’ presence, online or in person. Their relationship could have looked a lot like what we see in movies and read in romance novels, even similar to how Saeed’s parent’s marriage was described. However, as the conflict in their city intensifies, they are confronted with the notion that their relationship won’t always be one of order and constants. As the instability of war and riots brings the couple closer together, their need for each other is based on companionship and safety; they might even see the other as a reminder of the life they left behind after passing through the door. The trauma they share because of that experience may have been what led to their feelings of separateness later in the book. A trauma-bond. At one point they were inseparable and seemed to be totally aligned in their wanting to be together, but once hardship struck they began to drift apart. 

I think Hamid handles this complex relationship in an incredibly mature and thoughtful way. Saeed and Nadia aren’t presented as people who seek out arguments or conflict – instead they decide to be open with each other despite the painful emotional process leading up to that confrontation. The bond they built together had a strong foundation, so even after they go their separate ways towards the end of the novel their separation was accepted mutually and was even able to be bridged once they are old and meet back in their hometown.

Hamid ingeniously wrote the ending of Exit West as bittersweet because while the two characters don’t end up together, they still share such poignant memories that inevitably draw them close despite the different paths they ended up taking and that is such a human experience that should be depicted more often in media.

Did You Hear The Story About The Pencil?

Albert Camus’ The Stranger reminds me of a bar of soap that I gifted to my dad in sixth grade for his birthday. The soap’s packaging read, “Nihilism soap; there’s nothing. Like it.”

I recognize that The Stranger is a novel of existentialist thought, and not as much one of nihilism. However, I do see Meursault’s demeanor as echoing some of the ideas of nihilism. Time after time, we hear our protagonist state, “it doesn’t matter,” “it didn’t matter,” presenting himself as this irresponsible man who doesn’t care about how any of his actions impact other people. In repeatedly saying such gloomy things, he might be trying to convince himself that life truly is meaningless and therefore there is nothing in it that should make him inclined to act in ways that benefit society or those around him. While existentialism supports the notion that the meaning of life is life itself, nihilism refutes even this point and basically rules out all existence of meaning. It is the ultimate absurdity.  

Part of me wants to agree with this perspective of life. I sometimes think to myself, how can things as intangible as love, or elation, or sorrow actually exist in a world full of such concrete concepts as chemistry and biology – things that seem to be the true makeup of life? Then I think, wow that is a really depressing way to view my experience on earth. Maybe life really is pointless. But that doesn’t mean that the lives we as individuals lead are void of impactful connections – are incapable of influencing the emotions and behaviors of others. If everyone lived like life didn’t matter, what would make anything feel worthwhile? Maybe humans create problems and spend so much time figuring out solutions because we are so afraid of the possibility of nothingness, and I find that completely reasonable. I believe that people should continue to strive to gain knowledge on their surroundings and the people around them. They should continue to hold strong in their sense of faith, whether that be in humanity, God, or some other essence of life, because if that faith makes people feel valued and important, why shouldn’t they continue believing in it?



Mind-Boggled By Semplica Girls

I closed “The Semplica-Girl Diaries” and was met with more questions than answers, but that was the point.

The genius of this George Saunders short story, and all of his others, is that it transports the reader into a reality in which the mind of the reader can seamlessly believe based on the values pre-set for them by society. You read about a low income household with a dad who tries with all his might to make his children proud and happy – yeah, that’s what a dad should be doing. You read about a prisoner who is sentenced to being a subject in scientific trials as his punishment – yeah, criminals deserve retribution (“Escape From Spiderhead”). But then you are presented with the true, and often unsettling realities of those scenarios without having ever expected it. 

Saunders’ stories delve into the flawed and twisted morals that have been normalized into nonissues by throwing questions at the reader, forcing them to reflect on why they believe the things, or behave the way they do. 

Semplica Girls made me dig beneath the layers of my understanding of humanity. Take for instance lawn decorations, in this story presented as immigrant women getting paid to be strung up by their heads to beautify the homes of upper-middle class citizens. Gnomes, in our world, are common lawn decorations. Why gnomes? Aren’t they creepy little men with pointy hats and big red cheeks; who wants to have that greeting anyone who happens to walk by their house? Sure, those ornaments aren’t causing anyone physical and emotional harm like the ‘lawn decorations’ introduced to us in the short story, but still – why gnomes? The utter strangeness of everyday objects can be seen through a whole new set of eyes when presented with a completely unfathomable and made-up example of something perceived in an imagined world to have the same level of significance. It made me deeply reconsider the origins of our traditions, things, and values.

But I realized the message could go even deeper than that. The polarization and lack of nuance and discussion that is currently driving our country’s political and social spheres isn’t something that just happened to have spawned overnight – the United States political system as we know it today only exists as it does due to exploitation, racism, and greed. Those have been the major driving factors that have influenced an immeasurable amount of United States, not to mention global, history, and therefore current society.

I needed to take a second and fully come to terms with that, because how often do we observe the systems and foundations that we operate by while acknowledging all of the violence and injustices that have been committed as things to be taken for granted? I let myself bask in that overwhelming feeling because I believed it would allow me to form a more intense connection to my sense of humanity. I’m still coming to terms with this Saunders tale; my thoughts on it are frequently convoluted, yet I take my time processing and further analyzing the structures I encounter on a daily basis. Structures that could, in a far-off universe, appear entirely bizarre and inhumane. This frame of perception shapes how I interact with people, and it gives me the critical thinking I need in order to navigate the tumultuous and complex world I live in.



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