Story Power

Blogging the Lit Life

Author: Benjamin F.

Complexity of Romance

Joji’s “SLOW DANCING IN THE DARK” from BALLAD 1, is poetic because its use of multi-dimensional diction and forming of meaning through an experience. In the song the speaker expresses the battle of complex emotions as he debates his  romantic relationship. The name of the song is weaved throughout the song and is two parted. The first part “Slow Dancing” representing the intimacy and closeness of the relationship, while “the dark” represents the lack of emotion connection, the cold emptiness of the relationship. Because of this complexity the speaker is caught in a cycle of yearning and hatred of the relationship. At first the song begins with the yearning of connection and fear of being alone:

I don’t want a friend
I want my life in two (Please, one more night; my life in two)
Waiting to get there
Waiting for you

Then contradicts himself by telling the love interest to go away

When I’m around slow dancing in the dark
Don’t follow me, you’ll end up in my arms
You done made up your mind
I don’t need no more signs

This push and push is the result of the combination of the speakers fear of being alone and being left in the dark by himself, with the recognition of the lack of reciprocation and love in the relationship. Because of this dynamic the speaker begins to build hatred of himself and blames himself for the incompleteness of the relationship. These feelings are also created by the presence of another person mentioned in these lines:

You should be with him, I can’t compete
You looked at me like I was someone else, oh well

The reality of this persons existence is unclear, as the speaker may have created him as an excuse for the lack of reciprocation of his yearning. It’s also possible that this person is what made the speaker realize the unrequited love he was a part of. As the song continues the speaker is in an active fight to remove himself from the relationship, finally coming to terms with the love interest feelings, but still struggling to fight the lust he feels:

When you gotta run (Gotta run, gotta run)
Just hear my voice in you (My voice in you)
Shutting me out, you (Shutting me out)
Doing so great (So great, so great)
Yeah

Throughout the song the speaker hangs onto hope with “give me reasons we should be complete”, as though begging the love interest to reciprocate his feelings, desperately hoping to salvage the idea of what the relationship could of been, despite knowing this will never truly be the case. This helpless state is how he leaves the song claiming:

I don’t wanna slow dance (I don’t wanna slow dance)
In the dark, dark
In the dark, dark

Where the dark is both the emotionless relationship he’s a part of, and also the looniness that comes with not being with the one he feels such strong feelings for.

 

 

 

Story’s of Present and Past

A common troupe weaved throughout many stories is the effect of the past on the present. This is especially true in Beloved by Toni Morison. The story takes place after many of the story’s major events and turning points: Baby Sugg’s death, Beloved’s death, everything that happened at sweet home, all of Paul D’s experiences. However, it is not of story solely of the past. The past simply plays its role in the telling of the story by allowing certain moments to be more masked than they normally would be.

For example, as the book begins we are given a quick summary of why there is only Sethe and Denver in the house, then we are told about how the spirit of a baby is haunting 124. We aren’t outright told about who the baby is until much later in the story, the first time is mentioned is after the scene in the clearing where Beloved chokes Sethe and Denver confronts her over it and her intentions. The book gives many hints to allow this situation to be illuminated beforehand, however rereading the story with all the knowledge from the whole book, every action each character takes makes more sense. Denver’s inwardness and loneliness a direct effect of her fear of her mother, the loom of 124 and its repulsion of others, Beloved attitude of destruction and possessiveness, etc. Each character and moment is written with the whole story in mind whilst maintaining the secrecy of important moments in the story. This is what a true story of both present and past looks like, one in which some or most of the events in the plot have already happened and are only slowly revealed purposely to achieve an effect of confusion and mystery.

Because so many of the actions of the characters we follow are determined by events we have no information of, we get this skewed and crafted sense of what characters are like without the why. Morrison uses this to allow for certain things to be ascertained by bits and pieces of information here and there, allow room for the gray of things and speculation before the truth is revealed. In doing so she creates this air of darkness surrounding moments in the story, as well as allowing for these really cool perspectives and lenses that are used throughout the story. For example, the way Sethe and Paul D talk about each other after their reunion, the shifts in tone, the revealing of past moments to justify their choices and descriptions of each other is one of my favorite uses of this. Another one is whenever Denver’s perceptive is used. It almost feels kind of claustrophobic, as she is constantly surveilling and observing all of the other characters. This effect is a result of her reaction to what Sethe did to her and her fear of it happening again. Additionally, the way she talks about Beloved in comparison the other characters is kind of Morrison’s way of showing both of their importance to the story, as well as showing Denver’s protectiveness of Beloved. In conclusion, Toni Morrison’s use of  manipulation of information is one of the major elements that make Beloved such an amazing book.

Growing Apart

I think the idea of Nadia vs. Saeed in their respective ability to handle change, and their separation, has a lot to do with how much they appreciated their previous lives. Saeed remains connected to his home country because he enjoyed his life, and misses his loving family, where Nadia almost welcomes change since she doesn’t especially like her parents, although she is still curious about their wellbeing, and associates their home country with her bad experiences in that country. Because of this Nadia had no problems in adapting to the new circumstances, while Saeed struggled to accept his new life fully, leading to him experiencing a lot of stress to the point of bitterness. This discrepancy is also what ultimately leads to them growing apart.

Saeed remains attached to his family, prayer being the medium, while Nadia seeks new companions and bond in the new environment they find themselves in. Nadia quickly becomes friends with all kinds of people without bias, while Saeed still seeks the people from his homeland. For example, when the both of them are living in London in the rich family’s house, Saeed finds and talks to some people from his country, whom offer him a stay in their house under worse conditions from what they were living in at the time. Yet, he still asks Nadia to move into the house, not even recognizing that she might not want to until she brings it up. This and other events in that house is what started to separate the two characters, where they first fond they no longer longed for each other and where they first found they opinions in conflict, because one wanted to start a new life while the other wanted his old one back.

Benjamin Fields’ Theory of Human Identity

When you describe someone to someone else, you list things about them that are different from others, or differentiable traits, such as hair color, skin tone, hair type/length, height, etc. This is because of the way our society defines individuals, by their differences.

The more important fact, however, is whether or not this is a good thing. Jessica Benjamin believes this system to be flawed; if we define ourselves solely by comparison and differences in power, we find ourselves in unequal relationships with others. Assuming we follow her advice to an absolute, how do you know who is who when everyone is the same, a full human being. You may have someone’s name to define them, but if the only important factor is that everyone is completely equal, how will you equate the face to the name. For this reason, comparison is a necessary part of our human society, one in which individuality matters.

This is not to say Jessica Benjamin theory of mutual recognition is garbage and should be dismissed, as like I said this would be following it even beyond its defined measures. It is rather to say that both comparison and mutual recognition must be used in tandem to forge a better human society, as everything in Benjamin’s theory still holds truth. The question, per say, is where the line should be drawn between the two. Where should comparison stop, and where should mutual recognition start.  

I don’t have a definitive answer to this question, as it is both complicated and beyond the scope of my knowledge, but here is my theory. In our current society, we compare almost every facet of our lives to those of others. However, the main way humans use this comparison is self belittling. We compare ourselves to those with more than us, in money, fame, skill, etc. Therefore we should begin to draw lines on what should and should not be compared. Firstly, what you should compare to others may vary from person to person. For example, someone who plays soccer professionally should compare his/herself to his/her peers, as it is a way to both improve on oneself and recognise other achievements. However, fans of said player should compare his/herself to the professional players, as they are much more practiced in the skill, and the fan has little to gain from such comparison. Which brings me to my next point.

There can be scales to our comparison with others. In the fan example, you can compare your skills to those of the player, however you find the pale in comparison. If you, however, take the difference as a recognition of their immense skill, rather than your lack thereof, there is much more to gain. 

For another example, comparison of one’s physical appearance has increased massively since the inception of social media. The average person will look at someone who is in better shape than them, due to a combination of time, effort, genetics, drugs in some cases, and in others even altered completely, and find themselves as lesser. It is these unfair comparisons that we make that are truly detrimental to our psyche. It is much more important to make a comparison under the assumption that you are not lesser because you are unfit to be better, but rather you are lesser in this moment because of the factors I mentioned above. With this preconception, we can make a comparison that is fair to our circumstances and provides benefit to both parties involved.

In conclusion, there are certain times where inside of blindly saying, “I’m so much worse than them, I suck”, think about why that may be and if you’re being fair to yourself. Additionally, it’s okay to not compare yourself to others all the time, but rather just recognize that you’re both human beings, and that alone makes you equal. You both face the loom of death and all other enviableities that all humans are subject too.

Powered by WordPress & Theme by Anders Norén