Joji’s “SLOW DANCING IN THE DARK” from BALLAD 1, is poetic because its use of multi-dimensional diction and forming of meaning through an experience. In the song the speaker expresses the battle of complex emotions as he debates his romantic relationship. The name of the song is weaved throughout the song and is two parted. The first part “Slow Dancing” representing the intimacy and closeness of the relationship, while “the dark” represents the lack of emotion connection, the cold emptiness of the relationship. Because of this complexity the speaker is caught in a cycle of yearning and hatred of the relationship. At first the song begins with the yearning of connection and fear of being alone:
I don’t want a friend
I want my life in two (Please, one more night; my life in two)
Waiting to get there
Waiting for you
Then contradicts himself by telling the love interest to go away
When I’m around slow dancing in the dark
Don’t follow me, you’ll end up in my arms
You done made up your mind
I don’t need no more signs
This push and push is the result of the combination of the speakers fear of being alone and being left in the dark by himself, with the recognition of the lack of reciprocation and love in the relationship. Because of this dynamic the speaker begins to build hatred of himself and blames himself for the incompleteness of the relationship. These feelings are also created by the presence of another person mentioned in these lines:
You should be with him, I can’t compete
You looked at me like I was someone else, oh well
The reality of this persons existence is unclear, as the speaker may have created him as an excuse for the lack of reciprocation of his yearning. It’s also possible that this person is what made the speaker realize the unrequited love he was a part of. As the song continues the speaker is in an active fight to remove himself from the relationship, finally coming to terms with the love interest feelings, but still struggling to fight the lust he feels:
When you gotta run (Gotta run, gotta run)
Just hear my voice in you (My voice in you)
Shutting me out, you (Shutting me out)
Doing so great (So great, so great)
Yeah
Throughout the song the speaker hangs onto hope with “give me reasons we should be complete”, as though begging the love interest to reciprocate his feelings, desperately hoping to salvage the idea of what the relationship could of been, despite knowing this will never truly be the case. This helpless state is how he leaves the song claiming:
I don’t wanna slow dance (I don’t wanna slow dance)
In the dark, dark
In the dark, dark
Where the dark is both the emotionless relationship he’s a part of, and also the looniness that comes with not being with the one he feels such strong feelings for.