The song that I will be defending as poetry is “Get You” (feat. Kali Uchis) from Daniel Ceasar’s album Freudian.
The song acts as a love song between Daniel and a representative of his girlfriend. In the case of the song, Kai Uchis sings the female voice in place of Daniel’s girlfriend. The Song is a duet that reads off like a ballad. In the song, Daniel expresses his deep gratitude and love for his girl while he is in a tight financial situation. His girl then responds with notions that things will get better for both of them.
I believe the first poetic device many notice when listening to the song is the slow pace and the quietness of the tone. It is abundantly clear that the song is intimate before you even hear the first couple of words. I think that is one of the reasons it is such a profound love song. Though his voice is relatively quiet, Daniel sings in a fairly high-pitched voice, which I think adds to the softness of the masculinity he is trying to portray. It is a soft love that he has toward his woman, and the listener can understand that without the need for words.
Another very noticeable poetic device of the song is the usage of dialogue. The song is essentially a beautified conversation between a couple. Daniel sung, “Every time I look into your eyes I see it/ You’re all I need.” The embodiment of Daniel’s girlfriend (Kali Uchis) responded with, “And I’ll take some time/ Just to be thankful/ That I had days full of you.” I think it is a beautiful thing to share such an intimate moment with the artist, and I think it makes it that much more relatable. It is easy to feel connected to intimacy even if it may come with someone else in mind. Music and poetry together are meant to build connections and stories that are deeper than an analytical retelling can do any justice.
The last poetic device that Daniel used that I am going to mention is exaggeration. Daniel sung, “Through drought and famine, natural disasters/ My baby has been around for me/ Kingdoms have fallen, angels be calling/ None of that could ever make me leave.” The devestating nature of droughts, famine, and natural disasters adds to the loyalty Daniel is describing his girl to posses. He wants the listener to understand the gravity of the commitment his girl had to him, even through the hardest times in his life. He then discussed kingdoms and angels, which are notably otherworldly things. The usage of these exaggerated words continues to add to the deep commitment and otherworldly passion Danial had for his girlfriend.
There are many other things Daniel did to ensure his song remains poetically sound, like the layering of voices, the pauses between lines, and the inclusion of a simile toward the end, but I am going to refrain from going too far into that for fear of ruining the song for myself. Though I enjoy writing about “Get You,” I am quite positive that I don’t want to be reminded of each poetic component every time it comes around on my playlist.
I hope everyone will consider giving “Get You” (feat. Kali Uchis) by Daniel Ceasar a listen, especially if you are a poetry fanatic.