Story Power

Blogging the Lit Life

Date: October 22, 2024

Are we really products of our environment?

In Mohsin Hamid’s 2017 novel, Exit West, the main characters, Saeed and Nadia, find love in their home country while it is falling into chaos and warfare. The two end up bringing each other out of their own comfort zones with their sights set on love.

However after they leave their home country and in doing so leave Saeed’s father behind, their relationship slowly starts to take a toll. The two become less romantic, their words and actions filled less with love. Their relationship becomes less of an act of passion and more of a reliance for survival, a promise to Saeeds father and to each other for safety.

In addition to their romance being drowned out by the need for safety, being outside of an active warzone gives the two room to breathe, to find their true selves outside of the context of their home country. Saeed becomes more devout in his prayers and Nadia starts to embrace her abstination from prayer.

I think that their relationship is like that of a canvas, their environment being the artist always shaping and coloring them. The lack of desperation in London/Mykonos (when compared to their home country) causes the two to rethink and behave differently, affected less by war and loss and more by infamiliarity of their surroundings.

Being that the two are going from new reality to new reality and can go to another at any time, individually they are also canvases ready to be reshaped and added to at any time. They are changing so rapidly that the Nadia that Saeed loved and the Saeed that Nadia loved and grew familiar with are turning into new, nuanced versions of themselves.

Review of Exit West

I think that there is too much traveling going on and not enough progress in their ultimate journey. Saeed and Nadia have now taken two doors, both taking him to different places that should be far better than his home. However when they get there it is not, they are now in danger of starvation, and the anti-refugee groups in both London and Greece as well as living in highly concentrated areas with other refugees. Although this may be better than being back where they came from it still wasn’t good, and locals in both London and Greece have grown furious with the technically illegal immigrants who are staying in their home.

Are Saeed and Nadia wrong for staying in the house they fell through the door into? I don’t think so but I do think what they are doing is justified for they are there along with many others. I am still confused as to what they are actually staying in, but I know that if this happened in my community I would be upset as well, especially if it was my home!

I think Nadia and Saeed should stay in  London as long as they can, for they don’t have to fear for their lives every time they leave their home, except that they do, just in a different way.

I Really Hate Exit West

Let me start off by saying that I don’t want to offend anybody with this post, it’s only my opinion. If you love this book, I’m truly happy for you because you will be able to get through the next few weeks we spend on it without getting nauseous every few paragraphs. Sorry.

I have a number of issues with Exist West, but I’m most annoyed by Hamid’s cliche and cringey writing. It disrupts what would otherwise be a decent story, and actually angers me. For example, when Saeed asks why Nadia wears her robes if she isn’t religious, she responds, after taking a mysterious sip of coffee, “so men don’t fuck with me” (17). Come on.

I understand that Hamid is attempting to convey Nadia’s badassness and individualism, but he just executes it so poorly. By using cliche lines like that one, Hamid actually diminishes Nadia’s cool factor and makes her seem annoying.

Furthermore, Hamid’s references to drugs do not achieve his intentions, and on multiple occasions have forced me to audibly sigh with disappointment. During Saeed’s first visit to Nadia’s apartment, they smoke a joint. Fine, whatever. But there’s just something about the way Hamid writes about it that is off to me. Maybe it’s that he begins the next chapter with “while Nadia and Saeed were sharing their first spliff together…” (29). Despite his intentions to make this a natural addition to the story, and portray the characters (and himself) as cool, it sticks out and reminds me of a middle school boy trying to impress his crush with his weed expertise.

I’m not even going to get started on the shrooms.

The next thing that bothers me about Exist West is Hamid’s characterization of the war-torn city and the refugees that live there. I can’t put my finger on what the issue is specifically, but it feels strange. Even though Hamid lived in Pakistan till he was eighteen, his writing feels like it’s from the perspective of someone who has researched the Middle East extensively, but never been there. At least to me, something about the way in which he describes the city seems like a gross romanticization rather than the perceptive commentary he is attempting. However, I have never been to the Middle East, so maybe I can’t say much about it.

Last but not least, Hamid’s writing makes me severely uncomfortable, and not uncomfortable in the way that you can grow from. This mostly happens when he writes about sex, but I want to be clear that it’s not the topic of sex that unsettles me, just the way he writes about it.

I first started to feel this way during his description of Saeed’s parents’ sex life. He goes in a weird amount of detail about Saeed’s mom enjoying “being taken from behind,” and describes their headboard as “demanding to be gripped”(14). I think that Hamid was trying to be a little shocking, and add depth and mystique to the book, but it ended up just feeling intrusive and creepy. Most of the time, his descriptions of sex are fine, but there are a few like that one that I really do not like. Another extra weird one I feel like I need to add is when he writes about Saeed beginning to enter Nadia’s thoughts as she “reclined on her toilet after emptying her bladder” (40). There’s nothing that wrong with it, but I hope you all will agree that it’s just a super strange way to say that Saeed is becoming a big part of Nadia’s life. These things aren’t really a big deal, I just wouldn’t want to have a one-on-one conversation with Hamid. Ever.

That wasn’t really my last objection to Exit West, but I can’t list all of them. Overall, I would say that his writing feels infantile and weird, and although I kept trying to like the book, it has disappointed me severely.

 

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