Story Power

Blogging the Lit Life

Date: November 15, 2025

Seeing in Color: Viewing of the Present and the Past

While reading Beloved by Toni Morrison, the motif of color and the importance it holds is something that stuck out to me. The importance of color, or more specifically the lack thereof, plays an important role in understanding the memories of the characters.

In Beloved, most of the time color is not used when describing settings in the present. In 1873 124, the slaughterhouse, or Sethe’s work are absent of color. It is in memories, specifically strong ones, where color is used to describe the scene and is prominent. Baby Sugg’s lavender, Paul D’s red heart, and Amy Denver’s velvet are all examples of prominent memories that are strengthened by color. 

The idea of color as a way to remember the past made me think of the idea that the past is often seen as lacking in color. Both literally such as in photographs but also in the sense that the past seems so distant to us that we don’t think about the significance it might still hold because it is not “coloring” our present. Slavery is often viewed as something of the past, something that is distant or not in color but Sethe and Paul D’s colorful memories about it serve as a reminder that traumatic events, such a slavery, still hold weight in the present. Color bridges characters’ pasts and presents, illustrating painful memories and serving as a powerful language. 

Memory, Trauma, and the Cost of Freedom in Beloved

In Beloved, Toni Morrison shows that freedom does not mean the past disappears. Sethe may escape slavery physically, but the trauma she carries continues to shape her identity and choices. The character of Beloved represents how unresolved pain can return and demand to be acknowledged rather than ignored. Sethe’s memories are so powerful that they blur the line between past and present, showing how trauma lives on inside a person long after the events themselves are over (Morrison 43). This connects to the larger idea that healing cannot happen without confronting painful history. Morrison also suggests that silence can be just as damaging as violence, especially when communities refuse to speak about shared suffering. This idea relates to contemporary culture, where discussions about historical trauma and generational pain are often uncomfortable but necessary. By forcing both characters and readers to face these memories, Beloved argues that true freedom requires remembrance, not forgetting.

Trust, Borders, and Human Connection in Exit West

In Exit West, Mohsin Hamid explores how trust becomes both fragile and essential when people are forced to leave everything familiar behind. Nadia and Saeed must trust not only each other, but also strangers, new communities, and even the mysterious doors that carry them across borders. These doors remove physical distance, but they do not erase fear, suspicion, or prejudice, which shows that borders are not just geographical—they are emotional and social as well. Trust is tested as the couple moves from place to place, especially when their experiences begin to change them in different ways (Hamid ##). Saeed leans toward tradition and familiarity, while Nadia becomes more independent, highlighting how migration can reshape identity. This connects to contemporary culture because many modern societies struggle with trusting immigrants and refugees, even when displacement is caused by violence and instability. Hamid suggests that survival in a globalized world depends on empathy and openness rather than fear. Ultimately, Exit West argues that trust is not guaranteed, but it is necessary if people hope to coexist in an increasingly interconnected world.

Healing and Memory in Beloved

Beloved is an incredible display of trauma and the journey to healing. Throughout the novel, many characters go through extremely traumatic events and experiences. The novel incorporates frequent memories and small time jumps to both represent how healing is not linear, and demonstrate how the effects of trauma can be recurring as many people carry the weight of memory and remembrance that continuously connects them with and prevents them from escaping their past. I noticed that the book also focuses on how each character dealt with trauma and how they approached the concept of healing. Baby Suggs created a strong connection to her community and commiserated with everyone around her who went through very similar experiences. She decided to embrace every emotion along with others in her community, which showed she greatly valued community support and deep emotional awareness in her path to healing. 

On the other hand, Sethe is caught in the struggle between repression and remembrance, as she tries to forget the horrors of Sweet Home and is simultaneously and inadvertently transported back to her traumatic experiences through her vivid memories brought about by anything around her. As Paul D comes back into her life, he offers her a path to healing as he provides emotional support and helps her take care of the family. However, he also carries the horrors of Sweet Home with him and is therefore a constant reminder of the experiences Sethe is actively trying to repress. 

Beloved is another example of a character that embodies trauma. Beloved is not only a symbol of Sethe’s trauma from the day she was killed, but also a manifestation of the past. Her presence and rapid rise to significance signify that she demands acknowledgement in the same manner that the memories resulting from trauma demand acknowledgement. Often, traumatic experiences cannot be repressed, which is shown in the book by how memories follow characters and how characters embody past trauma, forcing characters to directly face what they have been through. 

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