This film has plenty of symbols of power, hierarchy, and the suppression of women within a system, but the house on the roof is one of the most powerful examples. Because of the system set in place by the master, Songlian is constantly fighting with the other mistresses for his attention. The murder of Meishan is the final turning point in the movie and it highlights the deadly consequences of working against the system. Meishan’s death and Songlian going mad are the final tragic outcomes of this system
The lingering shots of Songlian watching the men from a distance symbolize her isolation and helplessness. She feels alone in her passive role in the system. In this house, she is always an observer and never doing actions of her own. The distance between Songlian and the men represents the suffocating nature of her environment, where she is distant and feels powerless to do anything to stop the men or change the system.
The house where Meishan is killed becomes an embodiment of the oppressive system. Its isolation and the rumors surrounding it reinforce the system and its control. The constant reminder of the house’s rigid rules and the fear of being ignored by the master led to constant torment among the mistresses. The house itself is both a literal prison and a figurative prison as a threat of what will happen if the girls attempt to break the system, thus keeping them in line to exactly what the master wants.