Story Power

Blogging the Lit Life

Author: Lydia B

Cordelia’s Role

Cordelia is my favorite character, no one competes. Throughout this play I would read the lives of these characters, figure out what’s going on inside their heads, and watch their actions. Gonerill, Reagan, Lear, etc are just such filler characters. The sisters just stand for power and the misuse of it and Lear is crazy. Of course, the play is called King Lear and it revolves around him but in my opinion, Cordelia stands for more than it looks like in this play.

Right at the start of the play Cordelia stands her ground and doesn’t portray herself as property. That was the first reason she became my favorite character. In a society like this play is set in, that’s not an easy thing to do. She stood for femininity and power as soon as she was introduced. Going against her father’s word, standing up to a man that wants her, demeaning her sisters, are all things a woman in this society shouldn’t do, but she does it anyway.

By the end of the story she is dead and gone but she told her own story along the way. Her undying loyalty and love for Lear shows her true power and selflessness. Even though at the beginning, she wouldn’t play her fathers game about love, she dies showing how much she loves him. I think Cordelia is an incredibly strong woman that knows how to take care of herself. To me, she stands for femininity in masculine dominated societies and patriarchies, while she writes her own story for herself. Overall, Cordelia is a character that deserves more credit than she’s given.

intertwined

The song “not a lot, just forever” by Adrianne Lenker on her album songs is one of the most beautiful songs ever created and I’m here to tell you why. Musically, the soft guitar and sad, longing vocals make a tune that’s impossible to turn off. Poetically, Lenker poured metaphors and stories into this song and filled it with emotion. This album in particular was an especially powerful drop in 2020. Adrianne Lenker created this album after a big breakup and the cancelling of her band’s tour because of COVID-19.

Adrianne Lenker is the lead singer of her band Big Thief. The band consists of Adrianne of course, Buck Meek (guitar, backing vocals) and James Krivchenia (drums). It used to include Max Oleartchik but he is no longer a part of the group. Adrianne was a solo artist before Big Thief. She released her first album in 2014 with Big Thief following closely behind with their first album released in 2015.

To understand this specific song, you have to understand the meaning behind Lenker’s whole album. As you move through the tracks, Lenker becomes more and more self-aware. She captures the moment when you know you are suffocating your partner, but you cannot bring yourself to stop. You need that person to know how you feel, no matter the consequences. Lenker questions the gaping hole left after they inevitably leave. She considers if the feeling of emptiness is even worthwhile. Other moments are tenderly detailed, each tinged with the fleeting nature she knows to be her reality. To hold her hand, to kiss her again, to be home with her, are all things she longs for, though knowing them to be impossible and not fully wanting them herself. “not a lot, just forever” breaks away from this longing. She steps back and realizes the bad parts of the relationship that she had hidden from herself. This song delves into the paradox of committing to forever with someone in a world where not a lot seems to last (forever).

Overall, this song weaves through every aspect of love in and after heartbreak. The starting lines of the song begin with:

Through your eyes I see
A smile you bring to me

This sets the starting scene through the lovers eyes and establishes a deep connection. During the second verse, Lenker mentions “From my ex-believer” which introduces a theme of past beliefs, hinting at complexities and challenges that come with relationships. To continue, the image of the wolf and the symbol of the knitting together of selves (“Still she tears at my sweater”) represent the internal struggles and external forces that can test but ultimately strengthen a bond.

Side note, this metaphorical wolf is also present in “Wolf” on Big Thief’s album Two Hands. In this song it is also a symbol of protection like it is in “not a lot, just forever” when it states:

My dog barks wildly
To protect my infancy

The idea of creation and legacy—a tangible expression of their love—takes prominence in the third verse, “And your dearest fantasy, Is to grow a baby in me.” The conflicting feelings of wanting to nurture life with someone yet holding “you to my knife” reveals the risks and anxieties that come with commitment and vulnerability.

Finally, in the last verse, a sense of darkness is brought up on the listener. Through Lenker’s words of “poision” staining her mouth, she introduces the idea that toxicity can sometimes live in relationships. Overall, the repetition of “not a lot, just forever” and “as the rock bears the weather” in almost every chorus, Lenker isn’t only singing a song but informing her audience about the depth and complexity of the relationship she was in.

The definition of poetry differs from person to person but in general, poetry is a multidimensional experience that shows without telling and broadens the borders of our minds to include new perspectives. I think “not a lot, just forever” and mostly all of Adrianne Lenker’s songs alike encapsulate the definition of true poetry.

 

Time in Beloved

Beloved is one of those novels that you really have to dig into to understand. It’s not a start to end story, it’s more like a roller coaster through time. The most intriguing element of Toni Morrison’s Beloved is the way she deals with time. Beloved spans Sethe’s life and travels forwards and backwards and twirls around certain topics then drops out of them abruptly. To be honest, it’s a bit hard to follow.

Recently we learned of the return of Beloved. She brings on stories of the present and the past. Because of her return, we learn about Sethe and the murder of her own child, Beloved. Currently, Beloved is wreaking havoc in the house and convincing Paul D to do things he doesn’t want to do. She’s hogging Sethe and she’es just being weird overall. But, when the novel talks about Beloved as a baby, shes completely different. She barely got to live until she was murdered and that’s what started her havoc as a ghost before her actual return.

Overall, there are just so many strange and deep aspects to this book that can’t all fit on one page. But take a minute to think about the timeline and how you try to understand it.

The Power of a Name

To begin, I believe this novel is one of deliberate words, passages, and sentences. Mohsin Hamid thinks about every single detail he writes down. He spins out long but careful sentences, allowing us to walk right through his thought process. Combined with the deliberate vagueness surrounding Saeed and Nadia’s specific cultural position and the bird’s eye view, which neglects direct action and dialogue in favor of descriptions of longer time periods, I felt that the writing became detached and transformed the narrative into some kind of fairy tale. I felt as though I was only able to connect to Saeed and Nadia, particularly because those are the only names we are given.

You read that right, Saeed and Nadia are genuinely the only names that Hamid creates. Saeed’s father and mother are only talked about by the title of “Saeed’s mother” and “Saeed’s father”. Nadia’s family is only ever talked about as “Nadia’s family” “Nadia’s mother” “Nadia’s father” or “Nadia’s sister”. This makes the reader solely focused on the story lines of Saeed and Nadia. Even all the way to the end of the story, Saeed and Nadia’s new lovers aren’t even named. Nadia’s lover is crowned with the title “the cook” and Saeed’s “the preacher’s daughter”.

I feel like the withholding of names makes the readers appreciate the complexities of identity. Identity is such a hard idea to grasp because everyone has a different perspective of who the people around them are and who they are themselves. But, Hamid creates a place with the power of two names without even naming where the place is.

Existentialism

What is the meaning of life? Everyone has thought about this question at some point in their lives. Is there a purpose for our existence or is everything just random, absurd, and meaningless? The Stranger by Albert Camus highlights these ideas. Meursault embodies indifference and detachment in a seemingly absurd world.

Camus, associated with absurdity, argues that life is inherently meaningless. This leads to the clash between our desire for purpose and the irrationality of existence. Meursault’s apathetic response to significant events, such as his mother’s death and the murder, challenges the societal expectations of emotion and meaning.

Through Meursault’s experiences, Camus suggests that if life lacks an inherent purpose, we must be the ones to create our own meaning, we have to create our own paths. This realization should be liberating, allowing us to embrace our freedom and live authentically. Rather than seeking an external purpose, we can focus on defining what makes our lives worthwhile.

So, if you ever encounter the question of the meaning of life, think of the themes in The Stranger. The meaning of life is what you want it to be. You have total control over your view on life and if that’s different than everyone else’s, let it be. The “meaning of life” is a social construct. Your meaning of life is the authentic path, decisions, and perspectives that shape your world from the day you’re born until the day you die.

What is your meaning of life?

The State of Being the Unknown Woman

In the short stories packet we had, there was a story titled “The Secret Woman” by Colette. Although we weren’t assigned this story, I decided to take a look at it.

The main character, Irene, and her husband, lied from the start of the story all the way until the end. Specifically, Irene said at the start “As for me…Can you see me in a crowd, at the mercy of all those hands…” (38). She was speaking about the ball and how she didn’t want to go alone since her husband wouldn’t be there to accompany her (but he was lying as well, he was going to be at the ball). But later in the story, when both characters are observed participating at the ball, it is clear that Irene enjoys it. At the end of the story the author narrates “the monstrous pleasure of being alone, free, honest in her crude, naive state, of being the unknown woman, eternally solitary and shameless, restored to her irremediable solitude and immodest innocence by a little mask and a concealing costume” (41). This gives the reader an insight into what Irene really wants. She just wants to be free, without the rules of her husband or society weighing down on her, she is able to do whatever she wants. The costume she wears is a social barrier and helps her embrace the freedom she is deserving of.

I feel like this is such an incredible story because it gives a clear insight into what it’s like to try and fit in as what people view as the “perfect woman” in society. It also challenges the view that women are simple and made to live under their husbands. Irene is a great example of a complicated woman that doesn’t need her husband to thrive in society.

From an outside perspective, or if you haven’t read this story, would you agree or disagree with the idea that Irene is challenging stereotypes?

Coffee with Milk

After reading the first three chapters of The Stranger by Albert Camus, I’m already intrigued. For some reason, Meursault seems to mention coffee a lot. He also uses incredible descriptions of what he’s feeling and they make me feel like I’m there experiencing things with him.

The talk about coffee starts when the caretaker at the assisted living home offers Meursault if he would like “a cup of coffee with milk” (8). Meursault thought “I like milk in my coffee, so I said yes” (8).

To some people this probably seems like an unimportant sentence but for some reason I really enjoy it. It’s such a strange time to be talking about how Meursault likes milk in his coffee, especially when he’s sitting directly in front of his dead mother in her casket. But to him, I don’t think he finds it strange. I feel like he’s just thinking about what he usually thinks about, like a normal day.

In addition, another one of my favorite lines so far was “seeing the rows of cypress trees leading up to the hills next to the sky, and the houses standing out here and there against that red and green earth, I was able to understand Maman better” (15).

How does this imagery highlight what Meursault is going through and feeling?

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